Contact517-F Cathedral of Learning
Pittsburgh, PA 15260
Adam Lowenstein works on issues relating to the cinema as a mode of historical, cultural, and aesthetic confrontation. His teaching and research link these issues to the relays between genre films and art films, the construction of national cinemas, and the politics of spectatorship, with particular attention to American, British, Canadian, French, and Japanese cases.
- Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film
- Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media